Hailed for her “colorful, flexible and expressive playing” (Res Musica), pianist Alexa Stier has performed extensively in Europe, the United States and in South America. Alexa is a prizewinner of the Olivier Messiaen International Piano Competition, the Orléans International Piano Competition, and the George Enescu International Piano Competition and the founder and artistic director of ContemporArt Chamber Music Festival. Alexa holds diplomas from the Royal Conservatoire of Scotland and the Yale School of Music, where she is currently a doctoral candidate.
Hungarian clarinetist Noémi Sallai, praised for her „smooth fluency” by The Milbrook Independent, was selected as the sole clarinet fellow in Carnegie Hall’s prestigious music program, Ensemble Connect for the 2018-2020 season. A multiple prize winner in national and international competitons in Italy, Hungary, Slovenia and the United States, Ms. Sallai has spent her summers at the Crescendo Summer Institute, the Sarasota Music Festival and the Norfolk Chamber Music Festival, and appeared as a clarinetist in renowned groups such as the Budapest Festival Orchestra and the Orpheus Chamber Orchestra. Ms. Sallai holds a Master of Music degree from The Juilliard School of Music and a Bachelor of Music and Bachelor of Arts degrees from Bard College. Ms. Sallai currently serves as the Cultural Attaché of the Liszt Institute Hungarian Cultural Center New York.
Joint concert of the Cziffra Fesztival and the Liszt Institute New York.
Supported by: The Prime Minister’s Office, Bethlen Gábor Fund, Ministry of Culture and Innovation
Programme
Béla Bartók (1881-1945): Three Hungarian Folksongs from Csík, Sz. 35a
- The Peacock. Rubato
- At the Jánoshdia fairground. L’istesso tempo
- White lily. Poco vivo
Gergely Vajda (1973 – ): Lightshadow Trembling for solo clarinet
György Kurtág (*1926): Selections from “Játékok” (Games), Volume V.
Jubilate
The Little Squall (for Zoltán Kocsis)
Bells for Margit Mándy
Béla Kovács (1937 – 2021): Hommage á DeFalla for solo clarinet
Béla Bartók: Piano Sonata, BB 88, Sz. 80
- Allegro moderato
- Sostenuto e pesante
- Allegro molto
Luigi Bassi (1833-1871): Concert Fantasia on Motives from “Rigoletto” for Clarinet and Piano
Robert Schumann (1810-1856): Piano Sonata no. 2, op. 22
- So rasch wie möglich
- Andantino. Getragen
- Scherzo. Sehr rasch und markiert
- Rondo. Presto possible, Prestissimo, quasi cadenza
Rezső Kókai (1906-1962): Four Hungarian Dances for Clarinet and Piano
- Recruiting Dance
- Folk Dance
- Mourning Dance
- Fresh
Előadások
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